
SOUND DESIGN PROJECTS

Sound Design for MOK Miniraze – Factory Sound Bank
I had the opportunity to be part of the team that created the factory sound bank for Miniraze, a powerful and approachable wave-slicing virtual synthesizer developed by MOK. Combining futuristic sound design capabilities with a familiar, user-friendly interface, Miniraze is a unique tool that empowers both beginners and experienced producers to craft sounds that are inspired by the past, yet push the boundaries of modern synthesis.
Miniraze Overview
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Wave-slicing synthesis: MOK's patented engine allows users to splice waveforms into completely unique and fresh sounds that stand out in any production.
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East Coast-style layout: This layout makes sound design approachable while still offering deep complexity for advanced users.
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Capable of producing anything from warm retro analog tones to aggressive, futuristic sounds, offering endless creative possibilities.
Miniraze BMF Sound Bank
The Miniraze BMF sound bank features presets created by an all-star team of artists and sound designers, including myself. This collection brings together a wide variety of synth patches that show off the full range of what Miniraze can do—from warm, nostalgic tones to cutting-edge sonic textures.
Supporting a Good Cause
All proceeds from the Miniraze BMF sound bank are donated to the Bob Moog Foundation, which supports important initiatives like:
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Dr. Bob's SoundSchool
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The Bob Moog Foundation Archives
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The Moogseum in Asheville, NC
This initiative honors the legacy of Bob Moog while giving back to the music community.
Project Team and Additional Credits
The development of the Miniraze factory sound bank was a collaborative effort, bringing together sound designers and other key contributors from across the world:
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Sound Design: Taiho Yamada, The Editor, Richard Devine
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DSP Mentoring: Kris Daniel
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Product Messaging, Press Releases, Web Copy: Amplify Marketing
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Teaser Video Production: Daniel Alflatt
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Translations: Yasuo Matsunaka (Japanese), Wolfram Franke (German), musiXboy (Chinese), Dmitry Larionov (Russian), Bernardo Ostojic (Dutch, French, Italian, Serbian, Afrikaans)
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API Development: Patrice Tarabbia (Big Tick Software / Zen Database API)
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Beta Testing: Hugo Rampley
A Tribute to Bob Moog
As described by Amin Bhatia, an award-winning film and TV composer:
"The complexities of wave-folding and razor sounds in a familiar Minimoog interface? What's not to love! I think Bob Moog himself would be very impressed by the complexity and accessibility of Miniraze. Congrats MOK!"
Miniraze is more than just a synthesizer; it’s a tribute to the legacy of Bob Moog, blending classic analog sensibilities with futuristic synthesis.



Sound Design for AudioKit Pro - Digital D1 Synth
One of my most exciting collaborations has been with AudioKit Pro, a leading developer of music apps and synths. I contributed 100 custom-designed sounds for their highly acclaimed Digital D1 Synth, a powerhouse virtual analog/PCM synth for iOS.
Highlights of my work:
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Created 100 high-quality patches that are tailored for a wide variety of genres.
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Each sound is meticulously designed to be sonically rich, expressive, and suitable for both studio production and live performance.
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My sounds are featured in the “KING OF DIGITAL”: a 64-voice epic virtual analog/PCM synth for iPad, part of AudioKit's lineup of professional-grade apps.
This sound set explores the full spectrum of digital and analog synthesis combined, making it a great tool for producers looking for deep, multi-layered textures. Whether you need vintage warmth or cutting-edge modern tones, these sounds have you covered.
Reviewed by The Sound Test Room
The quality and versatility of my sound set were reviewed by the popular YouTube channel The Sound Test Room, which specializes in showcasing cutting-edge music apps and gear. Their glowing review highlighted the creativity and professional polish of my sound design, reinforcing the value of these sounds for producers and musicians of all levels.
AudioKit Pro Collaboration
AudioKit Pro is co-founded by Matthew Fecher, and they are known for creating high-quality, innovative audio tools. Their synths are praised for their performance and versatility, and I'm proud to have my work featured in their Digital D1 Synth, which has become a favorite among producers and musicians alike
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This addition highlights the recognition of your work by The Sound Test Room, enhancing your credibility in the industry. Let me know if there's anything else you'd like to adjust!


Sound Design for Tracktion Software – Subtractive Synth
In addition to my work on other platforms, I’ve created a unique sound set for Tracktion Software's Subtractive Synth, known for its flexibility and powerful sound engine. Under the direction of Production Manager Taiho Yamada, I designed the Tech House Sound Pack, a comprehensive toolkit for producers looking to bring the energy of Tech House and EDM into their tracks.
The Editor Presents: Tech House Sound Pack
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Over 100 Presets: This sound pack is packed with a wide variety of sounds, offering producers a Swiss Army knife for creating Tech House and EDM.
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Includes hypnotic arpeggios, deep basses, filtered chords, massive pads, and much more.
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Carefully crafted to deliver club-ready sounds for both studio production and live performances.
Whether you’re producing deep, atmospheric grooves or high-energy dance floor tracks, this collection gives your productions the big, polished sound that stands out in any mix.
Project Team
This project was a collaboration of talented professionals, each contributing their expertise to ensure the highest quality sounds and seamless functionality:
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Project Management: Taiho Yamada
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Programming: Wolfram Franke
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Additional Programming: David Rowland
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User Interface Design: Kristina Childs
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Sound Design: Taiho Yamada, Mike Wall
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Sample Content: Mike Wall, Taiho Yamada, James Woodburn
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Manual: Wolfram Franke, Holger Steinbrink
What’s Inside
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Deep, rolling basslines: Get the kind of low-end energy that will shake the floor in any club.
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Hypnotic arpeggios: Intricate patterns that bring complexity and movement to your tracks.
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Filtered chords and massive pads: Lush, evolving textures perfect for breakdowns and atmosphere.
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Punchy percussion: Add rhythm and groove with carefully designed percussion presets to complement your synth layers.
This sound set, developed under Taiho Yamada's expert guidance, unlocks the full potential of Tracktion's Subtractive Synth, making it an essential tool for Tech House and EDM producers looking for versatile, high-quality presets.
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Sound Design for Tracktion Software – BioTek 2 Synth
I had the pleasure of contributing to the Tropical House Expansion Pack for BioTek 2, a powerful and versatile synth from Tracktion Software. Under the expert guidance of Production Manager Taiho Yamada, this sound pack brings the sun-soaked energy of Tropical House to producers worldwide, making it the perfect addition for those looking to infuse their music with summer vibes.
Tropical House Expansion Pack for BioTek 2
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100 carefully crafted presets: This pack includes exotic grooves, sun-drenched plucks, warm bass, chilled pads, and more, providing everything you need to capture the essence of Tropical House in your productions.
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Ideal for both studio use and live performances, offering a wide range of sounds that can elevate your tracks and give them that feel-good, summery atmosphere.
Whether you’re producing radio hits or chilled-out festival anthems, this expansion pack provides the tools you need to make your Tropical House tracks shine.
Project Team
This project was a collaboration of talented professionals, each contributing their expertise to ensure the highest quality sounds and seamless functionality:
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Project Management: Taiho Yamada
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Programming: Wolfram Franke
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Additional Programming: David Rowland
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User Interface Design: Kristina Childs
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Sound Design: Taiho Yamada, Mike Wall
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Sample Content: Mike Wall, Taiho Yamada, James Woodburn
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Manual: Wolfram Franke, Holger Steinbrink
What’s Inside
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Exotic grooves and sun-drenched plucks: Bring the warm, melodic sound of the tropics to your tracks.
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Warm basses and chilled pads: Perfect for creating that laid-back, island vibe in any production.
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Punchy percussion: Carefully designed percussion sounds that complement the smooth, melodic elements and enhance your beats.
Developed for Tracktion's BioTek 2 under the leadership of Taiho Yamada, this expansion pack is a versatile and essential tool for Tropical House producers looking to inject their music with warmth, energy, and exotic flair.

Sound Design for Tracktion Software: F.’em - Factory Sound Bank
I was part of the talented team that created the factory sound bank for F.'em, one of the most powerful and versatile FM synthesizers ever developed. F.'em takes full advantage of modern CPU resources, making it capable of processing a freely configurable 11-operator matrix, making it a hybrid quad-timbral synthesizer that excels as an FM, virtual analog (VA), and sample-based instrument.
With its dual multimode filter, complex effects section, and an incredibly flexible modulation matrix, F.'em is designed to push the boundaries of sound synthesis for professional producers.
Key Features of F.'em:
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11-operator FM synthesis: A highly flexible matrix capable of producing complex sounds and textures.
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Functions as a hybrid synthesizer: Works as an FM, VA, and sample-based instrument, offering immense versatility.
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Dual multimode filter: For intricate sound sculpting.
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Advanced modulation matrix: Offers limitless sound-shaping possibilities with an array of modulation sources and targets.
Project Team
This project was a collaborative effort from some of the most skilled individuals in the industry, ensuring F.'em's sounds are cutting-edge and highly flexible:
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Programming: Wolfram Franke
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Additional Programming: David Rowland
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User Interface Design: Sasha Radojevic
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Sound Design and Sample Content: Alessandro Cardinale, Ed Ten Eyck, Jay de Miceli, Klaus-Peter Rausch (KPR), Stranjah, Vasil Ivanov (The Editor), Yuli Yolo
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Manual: Wolfram Franke, Holger Steinbrink
Factory Sound Bank Highlights
As part of the sound design team, I helped develop the factory sound bank for F.’em, contributing to a collection of presets that fully utilize the synthesizer's capabilities. From vivid FM tones to rich VA textures and deep sample-based sounds, this sound bank is designed to provide musicians and producers with an extensive palette for creating unique, high-quality music.
Whether you're looking for sharp digital FM timbres, warm analog synth pads, or complex evolving textures, F.'em's factory sound bank delivers.
This description emphasizes your role in the sound design team while showcasing the unique features of F.'em. Let me know if you'd like any further tweaks!